Welcome to the website of baritone Nicholas Morris
Nicholas trained at the Royal Scottish Academy of Music and Drama (now the Royal Conservatoire of Scotland). In 2016 he has appeared as Count Almaviva for Opera Brava, Smirnov in Walton’s The Bear for Bloomsbury Opera and covered the Gamekeeper and voice of the huntsman in Rusalka for Scottish Opera. For Wexford Festival Opera he has played The Learned Judge, Trial by Jury, Andy Tracy in the European premier of Losers by Richard Wargo, Premier Soldat, Salome by Antoine Mariotte and Un Caporale delle guardie in Il cappello di paglia di Firenze by Nino Rota. For Glyndebourne: Footman/Waiter in Der Rosenkavalier and Gunner’s Mate, Billy Budd in the UK and New York. He has covered Pollux in Castor and Pollux and Walt Disney in Perfect American for English National Opera. He has appeared with RSAMD/Scottish Opera as Forester in Janacek’s Cunning Little Vixen in revival, Denisov, War and Peace in both Scotland and Russia, and Tchelio, L’amour des trois Oranges. Other roles include Arcalaus in Amadis de Gaule by J.C.Bach for University College Opera, Don Giovanni in France with Westminster Opera, The Officer in Philip Glass’s In the Penal Colony in London’s West End, played Emperor Überall in the Emperor of Atlantis, Junius in The Rape of Lucretia, both Dancairo and Escamillo, Carmen, Peter, Hänsel und Gretel, Lindorf, Les contes d’Hoffmann, and Antonio in Portugal’s Marriage of Figaro.
Away from the opera stage, Nicholas is a keen concert singer and recitalist. Appearances include Verdi’s Requiem at the Usher Hall, Edinburgh, Handel’s Judas Maccabeus and Israel in Egypt in the Chapel of King’s College, Cambridge, and Orff’s Carmina Burana in the City Halls, Glasgow, as well as regular appearances singing works such as Messiah and Bach’s passions throughout the UK and further afield. He is an alumnus of the Britten-Pears Young Artist Programme at Snape Maltings. Before training as an opera singer, Nicholas studied at Jesus College, Cambridge, where, when not singing or playing rugby, he read history and philosophy of science. During his time at Cambridge he was a member of King’s College Choir. He began his singing career as a chorister at Peterborough Cathedral.
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