Press

"Nicholas Morris (Arcalaus) delighted from the start with his energetic, powerful stage presence and firm baritone" Opera Magazine review of Amadis the Gaul at the Bloomsbury Theatre with University College Opera, March 2015

"Morris’ Arcalaüs, a violent bully, was depicted with bristling, full-throated dynamism." Theartsdesk review of Amadis the Gaul at the Bloomsbury Theatre with University College Opera, March 2015 

"Nicholas Morris brought a wealth of experience to bear as 'The Learned Judge' who knew not only how to send waves of mellifluous tone floating out over the crowd, but shrewdly colored his comic lines for maximum impact." Music and Vision review of Trial by Jury at Wexford Festival Opera, November 2014


"...a fine baritone of virile force and expression." Classical Source review of In the Penal Colony at the Arts Theatre with Shadwell Opera, 30th June 2014

"Nicholas Morris is enthralling as the Officer. His rich baritone voice lends authority to the fanatical man," Fringe Opera review of In the Penal Colony at the Arts Theatre with Shadwell Opera, 16th June 2014

"Nicholas Morris as The Officer... (is) ...radiant with misplaced zeal and fanaticism. Morris’s is a muscular baritone in the Maltman mould, and a voice I’d like to hear a lot more of in future" New Statesman review of In the Penal Colony at the Arts Theatre with Shadwell Opera, 16th June 2014

"The real accolade must go to Nicholas Morris whose performance of The Emperor is superbly acted and sung with great musicality and passion." WhatsOnStage review of The Emperor of Atlantis at the Grimeborn Festival, 30th August 2012

"Nicholas Morris's Junius is a sharply drawn portrayal of a vicious man" Guardian review of The Rape of Lucretia with British Youth Opera, 8th September 2011

"Nicholas Morris was in lovely voice as the Father" Bachtrack review of Hansel und Gretel (Humperdinck) RSAMD, June 29th 2011

"Nicholas Morris's effortlessly rich lower register brought grace and power to the solo with chorus, Fac, ut ardeat cor meum" Bachtrack review of Stabat Mater (Dvorak) with the Calton Consort, 15th June 2011

"Oliver Newman’s Das Wirtshaus, whose Mussorgsky-like tread in the piano and powerful delivery by the rock-like baritone Nicolas Morris represented an impressive display of compositional inspiration, keyboard interpretation and vocal prowess in a strong unity." The Herald review of Liederbuch at RSAMD 5th May 2011

"Nicholas Morris lends a solid baritone to the Forester." Guardian review of Cunning Little Vixen (Janacek) with Scottish Opera/RSAMD 26th January 2011

"Nicholas Morris portrayed the magician Tchelio in immensely firm and spacious tones." Opera magazine review of The love of Three Oranges (Prokofiev) with Scottish Opera/RSAMD April 2009